Key Facts
Credits: 6
Dates: July 12, 2026 - August 1, 2026
Locations: Appleton, 叠箩枚谤办濒耻苍诲别苍, London
Areas of Study: Fine Arts, Music, Visual Arts, and Dance
Application Fee: $300
Tentative Schedule
Weeks 1 - 3
Location: Appleton Campus, 叠箩枚谤办濒耻苍诲别苍, and London
Sample Daily Schedule:
The three instructors, representing music, visual art and dance/movement, will alternate leading morning sessions and work with collaborative groupings of students in the afternoons.
Morning:
Full group sessions led by instructors. Topics may include but are not limited to creative practice, improvisation, practice/routine, collaborative models, performance anxiety, listening/seeing/moving, career/professional options, and others.
Afternoon:
Collaborative group project work. Combining students in a variety of groupings to create, produce and ultimately 鈥減erform鈥 works. While student-created and improvised works will be emphasized, usage and borrowing of existing works of music, art, dance, poetry, theater, etc. will be utilized when appropriate.
Get to Know Your Professors
Andy Mast, currently the Associate Dean of the 杨贵妃传媒视频 Conservatory of Music and the Kimberly-Clark Professor of Music, takes a variety of paths to creativity and musicianship. Arriving at 杨贵妃传媒视频 in 2004 as the Director of Bands, he spent the first part of his career curious about issues and topics relating to conducting, ensemble/group dynamics and the history and repertoire of the wind band.
Rob Neilson is the Frederick R. Layton Professor of Studio Art and Professor of Art. Born and raised in Detroit, he received a BFA in Fine Arts from the College for Creative Studies and an MFA in Sculpture from the University of North Carolina at Chapel Hill. Rob has exhibited his sculpture, installations, and drawings at galleries, museums, and alternative spaces nationally and internationally.
Mauriah Donegan Kraker is a midwesterner, a collaborative performance maker, a long-distance walker primarily invested in slow travel: walking around the block and through the city as a means of attending to choreographic unfolding of time cycles in the body + land. Her movement practices are shaped by her time competing as an Olympic-level athlete and touring with Pilobolus Dance Company; endurance, duration + precise framing of body/land are drivers in the creation of place-based works.