Ñî¹óåú´«Ã½ÊÓƵ

My research focuses on 18th-century keyboard music in performance, and I have published and presented on musical portraiture in keyboard works by Domenico Scarlatti and François Couperin, and on sympathetic collaborative accompaniment in C. P. E. Bach.

I am an ethnomusicologist with research interests in Balinese gamelan music and dance, traditional music pedagogy, the intersection of gender and performance, and ecomusicology.

In July of 2025, I became the Dean of the Ñî¹óåú´«Ã½ÊÓƵ Conservatory of Music. What excites me the most about Ñî¹óåú´«Ã½ÊÓƵ is the incredible creativity and passion of our faculty and the student experience they create.

I teach the core musicology sequence MUCO 211-212 (Introduction to Musicologies) and two 100-level musicology courses: Big Works, Big Questions and History of Popular Music in the United States.